forever plaid | peach state summer theatre, 2017 | Scenic Designer: ruth brandvik | Position: charge scenic artist
As the Charge Scenic Artist for Peach State Summer Theatre, I produced a multitude of set pieces independently, including this sparkling sign for Forever Plaid. It required skillfully applying painters tape to create the lines and using a variety of washes to achieve the proper look of the intricate plaid design.
Agatha Christie: The Unexpected Guest | Florida Repertory Theatre’s Main Stage, 2015 | Scenic Designer: Bert Scott | Charge Scenic Artist: Jordan Moore | Position: scenic artist
As the Scenic Artist for Florida Repertory Theatre, I worked independently to produce the vision of this backdrop for The Unexpected Guest, from sizing, to sketching, to color mixing, to paint appliqué.
A Year with Frog and Toad | Florida Repertory Theatre’s Touring Children’s Show, 2015 | Scenic Designer: Jordan Moore | Position: Scenic Artist
As the Scenic Artist for Florida Repertory Theatre, I worked independently to produce the vision of this backdrop for our touring production of A Year With Frog and Toad from sizing, to sketching, to color mixing, to paint appliqué.
A christmas story | florida repertory theatre’s main stage, 2015 | Scenic designer: JIM Hunter | charge scenic artist: jordan moore | position: scenic artist
As the Scenic Artist for A Christmas Story, I assisted the charge in prepping, sizing, color mixing, painting, and stenciling the snow flakes design on the hard and soft scenery.
Doublewide| florida repertory theatre’s ART Stage Studio Theatre , 2017 | Scenic designer: Ray Recht | charge scenic artist: charlotte alcorn | position: scenic artist
As the Scenic Artist for Doublewide, I was independently responsible for color mixing, sketching and painting this forest mural for Doublewide. .
Thoroughly Modern Millie | Cider Mill Playhouse, 2015 | Scenic Designer: Tyler Perry | Position: charge scenic artist
I was charged with painting this intricate floor for Thoroughly Modern Millie and had to map out the entire design with blue painters tape. From there I filled in the design with two layers of white paint and two layers of silver paint. I coated the entire floor with multiple coat off gloss poly-acrylic to get the high sheen effect and durability for the tapping performance.
A life in the theatre| Walnut Street Theatre’s independence theatre, 2015 | scenic designer: GLEN SEARS | charge scenic artist: leslie curd | Assistant charge scenic artist: Sarah Ganek | Position: scenic artist
As the Scenic Art Apprentice, I was tasked with priming, outlining, color mixing, wood graining, glazing and sealing the Faux Finished floor for A Life in the Theare.
Private lives | Walnut Street Theatre’s main stage theatre, 2015 | scenic designer: ROBERT KOHARCHIK | charge scenic artist: leslie curd | Assistant charge scenic artist: Sarah Ganek | Position: scenic artist
As the Scenic Art Apprentice, I assisted the Charge Scenic Artist with priming, color mixing, marbling, glazing and sealing the faux finished gold and black marbled walls for Private Lives.
